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That was some deep shit. Wow.

It’s the punch we don’t see coming that knocks us out. Thank you for explaining the punch.

How the hell did you get so good at understanding music theory? I have severe ADHD and have never even been able to sit still long enough to even fully learn the pentatonic scale LMAO...but I wish I could learn to understand it this well, I feel like I'd be unstoppable haha

where'd you get the original manuscript sketch?

Some of us LIVE for overly long and overly complicated info on obscure topics. Thanks for this video. It was a great walk and time well spent!

Haha “when does it stab you in the heart?” Really?🤦‍♀️ Isn’t that choice of words sort of in bad taste?

Haha you thought things were shit 3 years ago???? HAHAHA oh if you only knew!

I love Elliot but I'm not gonna purp like I dig Phoebe. I honestly can't stand Phoebe. I do however dig your videos. 🤙🏼🎸🌞

Working on it right now.. It sounds so cool for jazz band!!

I feel like Billy Joel and Elton John use this a lot too. It's in Pianoman.

This is an amazing video. Such great musical analysis. Thankyou for making it.

I love this video, but I believe that NO ONE cares about you're opinion on "music" - it's bad...that's me back there...but ffs, would have been great if I didn't think you were very proud of your teeth.

ben levin spotted!

LOVE Philip Glass. I fell in love with his music when I was at a University in the late 1980s. I first discovered his music while watching a TV special on avant garde art (I tuned into see something about Salvador Dali). They were playing the video of "Act III" from "The Photographer." They had the (now, rudimentary) spinning geometric shapes, and that, combined with the music - fast and somewhat repetitive, entranced me. At school, I was taking a music history class and heard a bit of his "Glassworks." I went to the school library, got the album, and sequestered myself in one of the listening rooms. The opening (actually called "Opening") was one of the most beautifully serene pieces I've heard. It sounded to me like rippling water, but with a melody. You want to hear some melodies, listen to his "Metamorphosis" piano pieces, as well as some of the soundtracks. Try listening to Helen's theme from "Candyman."

Yo, hold up right quick. Phillip Glass was an understudy and apprentice of Ravi Shankar (the master of sitar)? Is this true true?

I don’t want to impose but there has been a house band from the Netherlands (Groningen) that had a song called tommy’s theme. This song - I believe - used the same cord progression as Britell’s melody. Here it is: ruclips.net/video/jjbiMXfe2NU/видео.htmlsi=yScRrz4e2Vn0SKKm

INSANE😱

Really good analysis of Glass' work. It’s great to see people noticing that his output is incredibly intentional, as much as it seems repetitive.

Everyone should watch this video.

Young Walter White from an alternative universe hahahaha that’s a compliment 😁

The Canon effect by Conlon Nancorrow is the best way to approach polytempo ever

I swear nobody knows the true potential of the low clarinet family. They have such a great sound and it can add a lot of tension to music. Same with bassoons, both go unrecognized unless your a super nerd like me. But by god, the sound sticks with you.

u kinda sound like mac miller

Symohony X. Fuck

Bullshit !!!!

Brilliant. Thank you for such a helpful and thorough explanation of this music.

I hear blah blah blah... Watched it to the end because I love Reborn from Hereditary OST... Understood in some way as i would a brain surgeon explain his procedure but subconsciously understood the nuance to create the music for horror... Subbed for more blah blah blah and that is not a contumelious remark but only on my severe lack of education in the music arts... Ignoramus buffoon who pretends to be sophisticated as a old grown man eats his salad at his parent's house 😂 Dont judge, be happy...

I played a concert of Glass, and a knowledgeable audience member said "It was like I was constantly waiting for a tonic or resolution, it never resolves" and I couldnt help but think that Glass should not be analyzed by the kind of Western Theory you find at universities. I would call it 'Post-Harmony'... a new kind of harmony that, while relating to traditional harmony loosely, exists in a world after all of the 2nd viennese experiments. He has his own personal and unique harmony, and traditional harmonic analysis falls short

Gil was also a sweetheart of a man. I used to go hear his band most Monday nights when I was studying classical composition at a conservatory in NYC. I would grab brief moments with him between sets to talk to him and show him a few things I was working on. He was so gracious with his time and comments on my work.

I don’t know if you’ll be interested in this, but I had a similar slow-down-speed-up idea quite a while back, and I created an electronic track that does that, called Geometric Rhythm. No live musicians at all though, and I wouldn’t have any idea how to notate it for live musicians. Anyway, I accomplished my tempo experiment using pitch-and-tempo bends (in Macromedia Soundedit 16! I’m old). I created a track that was just a bunch of minor chord arpeggios, and then I used a pitch bend on each measure that slowed it down and lowered the pitch, and then I used another pitch/tempo bend on the whole track to speed it way up and increase the pitch significantly. I’m proud of it, even if it is pretty simplistic (I’m no great composer. I play around and I publish what I make for free for anyone who wants it. I’ve been learning a lot from RUclips to improve my actual musicianship, but I haven’t applied what I’ve learned much yet. Perhaps I will sometime. I actually got really distracted from some stuff I was working on several years ago and never picked it back up. It’s sad.) Anyway, if you are interested in hearing what I’ve just described, here’s a link: antmanmusic.bandcamp.com/track/geometric-rhythm Enjoy, and thank you for the great videos. I dig your style.

Great interview thanks... I can't get enough of Pino... You should check out a project called plumb...There on JMI label.... Totally mind blowing.... Ray Angry,Questlove and David Murray.... There's a lot of great music on JMI

Thank you for sharing!!!!

Final piece didnt sound bad at all!

Bravi

Those 2 are legends! Thanks for the interview.

This album is fuckin bonkers. Can’t get enough of it.

That's 😮how Jazz lost its followers...

Mix of gregorian and chimpanzees raping asthmatic pigs... I had to stop watching in the middle of the 2nd episode. I felt a mix of anger and depression.

Yesterday I listened to the "Phantom Thread" OST (absolute masterpiece, both the film and the music!) and found a video by one "Brian Krock". Today I listen to Mark Turner, what do I find? Did you read my mind?

en.wikipedia.org/wiki/Schenkerian_analysis

I'm still trying to figure out what you mean when you say 'adding arrows like this' and then don't show the hotkey to do it. In my case, the metric modulation right click does not include the arrows, so I am using a separate text/right click to show arrows and then having to drop them over the metric modulation text.

This was fantastic! I really enjoyed it, Brain. Thank you!

I thought I was the only one who noticed the resemblance to Beethoven_))

1:31 JULIUS WATKINS !! The father of Jazz French Horn!!

Imagine this solo on a Larynx

This sounds amazing

Elliott is not sad music at all, it’s just comforting and honest

Your video came up on auto play immediately after watching Cristobal’s Rolling Stone feature on how he wrote this. Was made on a Maschine while he was tripping, some of what we hear as melody is actually just mistakes with his performance on the pitch ribbon. Sometimes things are super clever and intentional, and sometimes you’re just high 🤷‍♂️😂 ruclips.net/video/xMYPAxSiuMo/видео.htmlsi=zcTMPZtSWdPkGUgc

In these examples, phoebe’s use of the chord doesn’t affect me at all while when Elliot does it, it hits hard. In these examples of phoebe’s it just sounds peaceful to me.